Some of you asked for it – here it is. An exclusive interview with Jonathan van Smit also known as K_iwi. Referred by some as fearless, Jonathan hails from New Zealand, and is a Gweilo (as he proudly carries the label) street photographer in Hong Kong. His photographs are a stream of stark, grungy, noir-ish beauty. To accompany the interview, Jonathan has also compiled an exclusive essay of his choice photographs.

Invisible Photographer Asia: Firstly, what’s a Gweilo Street Photographer doing in Hong Kong?
Jonathan: I came here in early 2008, moving from New Zealand where I lived next to the beach on a beautiful, rugged coastline. All my friends thought I was mad to give that up but I love China…the people, the culture, the food, and was happy to take a risk changing careers to move here.

What inspires your photographs? And what three words would you use to describe your street photography?
I wouldn’t say I have any specific inspiration as such. A few years ago, I took time off work to go to art school and began to paint and sculpt but both those took too much time and emotional effort so I turned to photography instead. I enjoy wandering around exploring in a sort of aimless, haphazard way, and I like the spontaneity of photography. I tend to walk around back streets and alleys, and I have a bad habit of wandering into buildings without permission too. I just shoot pretty much on instinct whenever something catches my eye. I do have some recurring motifs such as empty chairs that refer to personal stuff but that’s instinctive rather than considered.

How would I describe my photos in three words?  Dark, anti-art, edgy

Can you tell us what cameras and tools you use to photograph and why you use them? Digital or Film?
I use a Leica M9 and sometimes a Ricoh point & shoot. I don’t use film anymore as I can shoot 200 or even 300 frames on a good day which makes film too impractical. Very wide angle lenses are important to me, especially 15mm and 21mm. I shoot in RAW, and post-process with Aperture and Nix Silver Efex. Mostly, I increase contrast, dodge & burn quite a bit and sometimes increase grain too. I like rangefinders as they’re small, unobtrusive and I can see what’s walking into the frame so that limits the choice to a Leica even though they’re wildly expensive. I like the Leica form-factor too. I can focus them or change the shutter speed or aperture without even looking at the camera. The Leica shutter release is fast too. I know exactly when the shutter is going to trip, and it’s pretty much instantaneous.

What is your photography technique, or philosophy perhaps?
I like taking photos of people but I don’t usually want them engaged in the process of taking the photo. I’m just an observer not a participant. I like to shoot really close if possible, sometimes less than a metre away so that feeling of intimacy is accentuated. Often the moment of opportunity is fleeting or maybe the situation is challenging. If that’s the case then I don’t have time to frame through the viewfinder and just guess at the focus distance. I’m suspicious of superficial ‘prettiness’ so I reduce the photo’s technical quality quite a lot. I’m conscious that this often makes my photos less attractive or interesting to others but that’s not my prime concern.

There are some stark, incisive photographs in your ‘Real Lives’ series, can you tell us more about the series?
I’m attracted to the flip-side or darker side of life, it’s visually more compelling, and I’m interested why some people have such different life experiences. It’s been a privilege to meet people like that, and I admire their bravery in surviving against the odds. As just one example, women who are left destitute after their husband has run away, they can’t get a residence or work visa in Hong Kong, they’re not eligible for social assistance, and are forced to live on the streets or in cheap cubicle housing in a day-to-day, impoverished existence with no easy options. My photos aren’t meant to be documentary, they’re just an outcome of my own curiosity, my interest if understanding how others live their lives, and my reaction to meeting them sometimes. My photos serve as reminders, traces of memories for my experiences.

Likewise, there’s a noir-ish beauty to your Yunan photographs, can you tell us about those photographs as well?
I guess the photos are simply my reaction to the place, the people. To me it’s a mysterious place, I was alone, walked around a lot in small villages, up in the hills too. I felt alienated there, an outsider trying to look in.

What’s your personal favourite of the photographs you’ve taken, and why is it special to you?
I don’t really have favorites but I have taken lots of photos that I now don’t like. I don’t often look at my photos after processing them. If I do look at them my reaction is heavily coloured by the experience and emotion of taking the photo so it’s hard to be objective about them.

Is there any other place or people you would like to photograph?
I’m interested in visiting the north west of China, and I’d like to go to Afghanistan and North Korea. I’m currently trying to figure out how to get an Afghanistan visa. My main interest is still Hong Kong though, it’s my home now.

Are there any photographers that inspire you, or whose work you admire?
I prefer painters rather than photographers but of the latter, I like Robert Frank, especially his later, more personal work. I also like many Japanese photographers especially Araki and Moriyama, they both manage to transcend their subject matter in such a compleling way.

Are you working on any photography projects at the moment?
I don’t think much in terms of projects. I just hop on a bus, or get the MTR, and get off somewhere without much of a plan. Mostly I go across to the Kowloon side of Hong Kong, to places I love like Sham Shui Po, Cheung Sha Wan, Shek Kip Mei, Yau Ma Tei, and Kwun Tong.

All photographs/art are the property of the credited photographer and creator with all rights reserved.



21 Responses to Invisible Interview & Photo Essay: Jonathan van Smit

  1. [...] Ink’ continues Van Smit’s gritty ‘Song of Unending Sorrow’ series. Click here for an interview with the photographer, who has been living in HK since [...]

  2. [...] Thanks to Jonathan for sharing his thoughts and his work with us. I find his work compelling and inspiring. It made me want to find these scenes when I was in Hong Kong, but it is harder to be a part of this than it looks. Jonathan has been able to portray a side of life that many people like to pretend does not exist. These shots are moving without being sensationalist. I am very happy to be able to feature this work on JCH. Please check out Jonathan’s links and be sure to comment. I really would like to hear peoples thoughts on this work. http://www.flickr.com/people/n_ipper/ http://www.jonathanvansmit.com/ http://blog.leica-camera.com/photographers/interviews/jonathan-van-smit-raw-hong-kong/ http://invisiblephotographer.asia/2010/07/20/interview-jonathanvansmit/ [...]

  3. Ben Lee says:

    U did the great work………….

  4. RT @InvisPhotogAsia: Invisible Interview & Photo Essay: Jonathan van Smit, Street Photographer Hong Kong. http://fb.me/VpXpst6N

  5. IPA says:

    Invisible Interview & Photo Essay: Jonathan van Smit, Street Photographer Hong Kong. http://fb.me/VpXpst6N

  6. [...] “I’m just an observer not a participant.” Jonathan van Smit , Street Photographer Hong Kong. Invisible Interview & Photo Essay: Jonathan van Smit a.k.a K_iwi [...]

  7. RT @InvisPhotogAsia: I’m just an observer not a participant – Jonathan van Smit, Street Photographer Hong Kong. http://fb.me/KPWwwAdk

  8. IPA says:

    I’m just an observer not a participant – Jonathan van Smit, Street Photographer Hong Kong. http://fb.me/KPWwwAdk

  9. maxeypad says:

    very much enjoyed this interview. i recently stumbled upon his flickr while searching for grd iii sample images and w found works of art. jonathan is an amazing photographer with a unique style. he gets so close you can almost hear the breath of his subjects. definitely looking forward to seeing more! – joel

  10. Jason says:

    Hi Jonathan, I’m interested in the M9 as well. If you’re reading this what’s your pros and negatives about it? Thx

  11. [...] photographs. His After The Fall project is acclaimed and rightfully so, and his exclusive Invisible Interview is coming up – stay [...]

  12. [...] van Smit is a street photographer in Hong Kong we recently featured in our Invisible Interviews. We asked him to contribute an Invisible Portrait as a [...]

  13. peralyn.L says:

    agreed!

  14. adam says:

    great interview and work!

  15. Thanks for your support, Ben Tay ask Polorama.
    Glad you enjoyed our interview.

  16. Ben Tay ask Polorama says:

    Now can I request for HL Tan. He is another amazing dude. Amazing stuff he produce with iphone is just out of the world.

    http://www.flickr.com/photos/hltam/

  17. Ben Tay ask Polorama says:

    Thanks for the great interview !!!!!!!

    U made my day !!!!! He is the fearless with one of a kind style !!!!!
    Everyone’s pics is abt composition but Jonathan breaks all these rules. Its the explosive energy of spontaneous energy being capture.

    This is the future form of street photography

  18. selina Lu says:

    amazing pics .seems like you enjoy your life there heaps.I wish i can take you to my hometown sometime,then you can take photoes of muslim.

  19. Kevin WY Lee says:

    RT @InvisPhotogAsia: The stark, noir-ish beauty of Jonathan van Smit's #photography + Invisible Interview. http://bit.ly/bATeIt

  20. IPA says:

    The stark, noir-ish beauty of Jonathan van Smit's #photography + Invisible Interview. http://bit.ly/bATeIt

  21. IPA says:

    Invisible Interview & Photo Essay: Jonathan van Smit a.k.a K_iwi http://fb.me/C0Q37aF9

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