I am left imagining if Punggol was the scene of some post-Anthropocene reterritorialization, where the animals are the ones who have rehabilitated the space the space we left behind.
Beyond the River, Across the Sea juxtaposes Fujianess fallen American Dream and fraught relationship with their ever-changing landscape of homeland.
‘Sento’ was originally introduced to the Japanese people by Buddhist monks as a part of their missionary work in the Sixth Century.
A series of photographs which question the luxury of new high-rise buildings which are mushrooming all over Bangkok.
Death fell upon a protected colony of Egrets in Hong Kong in June during prime breeding season when their tree sanctuaries were callously pruned.
Alan ieon 楊俊榮 was born in 1987 in Macau and sees himself as the last generation of children born under colonial Macau.
The first land reclamation in Hong Kong was during the early Western Han Dynasty (206 BCE – 9 CE) when some beaches were turned into salt pans.
Nguyen Minh Hoang was a recipient of the IPA Mentorship Grant. You Are Here was made during the 14th Edition of the IPA Mentorship Program.
When dusk falls in Singapore, a nocturnal forest of lust and desire emerges. Lust and Caution, by Colin Seow was made during the 14th Edition of the IPA Mentorship Program.
Alvin Lau was a recipient of the IPA Mentorship Grant. Meditating Mortality was made during the 14th Edition of the IPA Mentorship Program.
Mukaish Badla is a form of embroidery, which at its peak flourished in the Indian city of Lucknow. At its peak, in the 18th century, the art form travelled to different parts of the world…
Swarat Ghosh is a Hyderabad based Street photographer. He is also part of a street photography collective called “That’s Life”.
Gurgaon, my hometown, is one of the major cities in India and has an abundant number of upcoming sectors. Parth Gupta is a photographer based out of New Delhi, India.
Spotlighting the aesthetics and photobook of Viacheslav Poliakov, a young Ukrainian photographer who attended portfolio reviews with Kevin WY Lee at Odessa//Batumi Photodays Festival. ~ Lviv–God’s Will is about those of us with whom life just happens. It takes place when the connection between cause and consequence is no longer coherent. I am documenting a naïve visual subculture of a public space, which has become widely spread throughout Ukraine after the fall of the Soviet Union, and faced with globalization. For me, a central peculiarity of the culture is the absence of a conscious author. The objects of the city environment …
In the past year, Filipino artist Carlo Gabuco has laid down his brushes for his camera to document his country’s brutal path towards cleansing her drug problem.