A Trunk and other Tails is about the loving and dependent relationships and bonds that can exist between animals, which have suffered as a result of human activity, and their carers and custodians.
145 images from the latest World Press Photo 2016 awards, billed as the “Oscars” of photojournalism, is currently on exhibit at the National Museum of Singapore till 26th March.
There are loud minorities. They do it despite the fact they are numerically nowhere near still powerful (in very satirical and mocking sense) population of silent majority.
Everyday Muslim, 4.1km2 and I’m Not Sick: Final Year Projects from Students at Temasek Polytechnic: Nadyah Binte Azman, Don Chi and Charlene Yong.
It was a cloudy day when I ran into a strange, beautiful woman in the countryside of Cambodia. Everyone referred to her as Ahp.
Photography, as most of us know, is a lonesome and obsessive love affair, and juggling that with family life is not often easy.
Neither Beginning nor End, by Peter Teh was made during the IPA Mentorship Program. “There will come a time when you believe everything is finished; that will be the beginning.” Louis L’Amour.
Paradise pays tribute to these last remaining structures of individualism. A glimpse of quiet moments in a passing space of time.
Three weeks ago, and two weeks before he died, I wrote a story about Chinese artist Ren Hang. Why photograph? I asked him. He told me, “because it fills the emptiness of my heart.”
Seeking Moksha is informed by encounters with people who seemed more lost than found in their search for transcendence, as perhaps I was too.
MAPA Books, a new independent publisher in Southeast Asia, debuts its first title in a slate of publications with Ili, a monograph by Baguio-based veteran photographer Tommy Hafalla.
A film already has its ending before shooting. All these endings are waiting for you everywhere. Accidents may happen and change the endings, but they’re all there. Maybe you weren’t looking.
Taiwan’s Shen Chao-Liang 沈昭良 has self-published Taiwanese Vaudeville Troupes, a new book of photographs he first made about the same time as his iconic STAGES in 2005.
In the following conversation with prolific Thai artist/curator Manit Sriwanichpoom, we talk candidly about photography and purpose, censorship and compromises, and being fearless in art-making.
Photography has been entrusted by early scientist as the objective eye that see beyond the limit of human perception and exposes truth on a piece of paper.