Wing Ka Ho [Hong Kong] is a Young Portfolio Award Finalist in the Invisible Photographer Asia Awards 2018.
Yes Madam, Sorry Ah Sir, by Paul Yeung [Hong Kong] is a Photobook Award Finalist in the Invisible Photographer Asia Awards 2018.
Death fell upon a protected colony of Egrets in Hong Kong in June during prime breeding season when their tree sanctuaries were callously pruned.
The first land reclamation in Hong Kong was during the early Western Han Dynasty (206 BCE – 9 CE) when some beaches were turned into salt pans.
I don’t feel photography needs to be overtly ambitious in assuming impact or power. And in any case, impact and power are impossible to measure. Photography has a part to play in adding to a cumulative effect.
From the beginning, the camera is used as one of the tools for me in communicating with my parents and our immediate surroundings, I realized that “home” has actually been a place that was both familiar and foreign to me.
As part of the Hong Kong x Singapore (HK/SG) Photobook Exchange, there will be an evening of slideshow projections featuring Hong Kong artists and photographers.
Photography has been entrusted by early scientist as the objective eye that see beyond the limit of human perception and exposes truth on a piece of paper.
HK/SG Photobook Exchange is an extension of our efforts to further dialogue, development and appreciation of photography and publishing practice in Singapore and the region.
A conversation with Greg Girard ~ What do you think is the future of cities and citizens? These days, with the unthinkable occurring on almost a daily basis, nothing is too far fetched.
Photography might have been an old friend, yet after this year of seemingly normal life, he has become more like a stranger to me. Just like strangers on the streets, you no longer say “good day” and “good night” to them.
Photobook flip of Hong Kong photographer Benny Lam’s latest TRAPPED／侷住, shortlisted this year for Prix Pictet Awards.
Sweet Water, Bitter Earth is my journey into China in search of redemption and my ultimate failure to connect with my homeland.
Hong Kong’s socially conscious photography isn’t considered “as charming” as Chinese photography in the market. Yet, that is also the reason why it is so uniquely crucial to the Chinese-speaking community.
While working at my workshop one day, I discovered for the first time the bird eye’s view of Chai Wan Fire Station through the ventilation window of the washroom.