Hong Kong photographer Paul Yeung, previously featured in our Hong Kong & Taiwan Curation for Angkor Photo Festival 2015, has just launched a crowd-funding campaign for his first photobook Yes Madam, Sorry Ah Sir.
Son of an exiled Chinese nationalist, Tseng Kwong Chi was a Hong Kong born photographer active in the New York Art Scene in the 1970s and 80s.
In ‘They’, Zhang showed secular Chongqing citizens at a moment of euphoric leisure. In ‘Coastline’, he travelled 18.000 kilometres along the Chinese coastline to photograph the surreal landscapes he encountered.
A surge of young contemporary photographers have been creating work centered around analogue photographic process and alternative photography.
I began an archival examination of some B/W master negatives, those taken during the student democratic movement at the Tiananmen Square in Spring 1989, and from which re-searching the youthful energies long lost at Chang-an Boulevard.
Ownership heightens the sense of exclusion and the psychological need to distinguish between ‘us’ and ‘others’. Villagers began devising inventive ways to denote their territories.
The 1997 Handover was a time when many Hong Kongers began to think about their national identity. Ten years after, many changes were felt. I’m not a pro-Beijing loyalist or a “one-time patriot”.
A curated Slideshow Showcase for Angkor Photo Festival 2015 featuring 18 photographers from Taiwan and Hong Kong.
(PHOTO)graphy re-examines photography as an expressive medium and photographs as surrealistic objects.
Set against a backdrop of Government buildings and monolithic office towers, this somewhat “nostalgic” mode of resistance encircled a singular “privatized public” space.
Hong Kong photographer Lau Chi Chung’s “Landscaped Artifacts” (2013) won him the New Photography Artist of the year, Lianzhou Foto 2013.
This is a call for submissions for photographers from Taiwan and Hong Kong with a body of work in documentary photography. Deadline: 28th July, 2015.
There was a well-known Chinese romance story about a cowherd (Niulang) and a weaver girl (Zhinu). One day, the young cowherd Niulang met a beautiful girl, Zhinu, the seventh daughter of the Goddess.
Hong Kong’s WYNG Masters Award have just announced the finalists to their 2015 Award with the theme ‘WASTE’.
The Hong Kong – Mainland China border has been permanently changing – a fact reiterated with the recent news reporting that the Frontier Closed Area is gradually being reduced in its size.