Neither Beginning nor End, by Peter Teh was made during the IPA Mentorship Program. “There will come a time when you believe everything is finished; that will be the beginning.” Louis L’Amour.
Half a million Malaysians cross the border to work in Singapore. I am one of them and this is a story about my family which I leave behind to put bread on the table.
Murmurings, by Ron Soh was made during the IPA Mentorship Program. Anxieties lurk in the background as we confront our lives and our mortality every day.
Announcement: 4 Grants awarded to young Southeast Asian photographers for the 14th Edition of the IPA Mentorship Program commencing in February 2017.
We are offering 1 Scholarship Grant to a young photographer in Asia for the 14th Edition of the IPA Mentorship Program commencing in February 2017.
Following our successful Workshop Grant with the Singapore Heritage Society last year, we are partnering again to offer a second grant to participate in the IPA Mentorship Program.
Body: Canvas of Time is a meditation and exploration of the self marked by the ephemerality of others. Nothing is ever permanent but our bodies become a canvas of intersections and remains over time.
Song For Dheena is an excerpt from Bernice Wong’s long-term observational documentary School Of Hard Knocks.
More people live alone now than at any other time in history. Nearly half of Manhattan’s residents live alone, and in Paris, Stockholm and Tokyo, rates are higher than fifty percent.
Chotiwat Lattapanit uses photography as therapy and images as memory bank for his children in this latest IPA Mentorship Project.
We are offering 1 Scholarship Grant for the 10th Edition of the IPA Mentorship Program commencing in late March 2016. APPLICATION DEADLINE: SUNDAY, 14TH FEBRUARY 2016.
We take memory for granted as the absolute representation of the truth but as Oliver Sacks noted, “We as human beings are landed with memory systems that have fallibilities, frailties, and imperfections – but also great flexibility and creativity.”
Katia Repina worked on I Don’t Need To Know You during the IPA Mentorship Program. This project explores the forest park of Cataluna city.
Ownership heightens the sense of exclusion and the psychological need to distinguish between ‘us’ and ‘others’. Villagers began devising inventive ways to denote their territories.
Scars of Independence recounts the journey of Abkhazia as explored through the memory and identity of the Wolf, a self-exiled ex-soldier.