On a hot Saturday afternoon on 16th October ’16, Magnum photographer, Matt Black, discusses photography with audience in two packed containers at the DECK.
This is an Open Call for Participation to artists and photographers in Singapore working with photos, images, drawings, paintings and text.
The week-long festival held in Kobe City has an interesting “camp” format centred on portfolio reviews and clinics for emerging photographers in Japan and abroad.
As a photojournalist, I understand that both good and bad are co-existing and complementary. Unfortunately exhibitions in China even today focuses only on the good.” – Li Zhensheng.
Reacting to the postwar Japan of social unrest, protest and rapid growth, Daido Moriyama: Prints and Books from 1960s – 1980s surveys through Daido Moriyama’s works, and how they reflect the Zeitgeist Movement of Japan between 1960s – 1980s.
Singapore International Photography Festival (SIPF) 2016 will, for the first time, exhibit their Open Call Showcase in public spaces in Singapore.
The Archive as Conversation examines the nature of photographs as documentation of events, occasions, people and personal memories.
Myanmar’s first organised group of Street Photographers will debut their exhibition in the country’s capital Yangon on 17th September 2016.
The 5th Singapore International Photography Festival opened their first exhibition A room with a view on Friday 19th August at ICA Singapore at LASALLE College of the Arts.
The second edition of Photo Kathmandu Festival happens in Nepal between 21 October – 3 November 2016.
From now till 30 September 2016 the WMA Masters invites both international and Hong Kong artists and image-makers to submit photographic-based work.
A short note on Newsha Tavakolian’s ‘I Know Why The Rebel Sings’ Photo Exhibition at Singapore International Festival of Arts.
We couldn’t be more happy to be supporting this ground-up initiative by Southeast Asian photographers supporting young photographers in Southeast Asia.
Following our successful Workshop Grant with the Singapore Heritage Society last year, we are partnering again to offer a second grant to participate in the IPA Mentorship Program.
So I finally had a chance to see in person Singapore artist Charles Lim’s decade-long SEA STATE project that headlined the Singapore Pavilion at the recent Venice Biennale.