Photobook flip of Hong Kong photographer Benny Lam’s latest TRAPPED／侷住, shortlisted this year for Prix Pictet Awards.
Sweet Water, Bitter Earth is my journey into China in search of redemption and my ultimate failure to connect with my homeland.
Hong Kong’s socially conscious photography isn’t considered “as charming” as Chinese photography in the market. Yet, that is also the reason why it is so uniquely crucial to the Chinese-speaking community.
While working at my workshop one day, I discovered for the first time the bird eye’s view of Chai Wan Fire Station through the ventilation window of the washroom.
Conflict, Photography and Vocation: A candid, in-depth interview with Hong Kong-born photojournalist Nicole Tung.
The 5th Singapore International Photography Festival opened their first exhibition A room with a view on Friday 19th August at ICA Singapore at LASALLE College of the Arts.
From now till 30 September 2016 the WMA Masters invites both international and Hong Kong artists and image-makers to submit photographic-based work.
Veteran Hong Kong photographer Wong Kan Tai 黃勤帶 launches a new photobook Vajrayāna
Hong Kong photographer Paul Yeung, previously featured in our Hong Kong & Taiwan Curation for Angkor Photo Festival 2015, has just launched a crowd-funding campaign for his first photobook Yes Madam, Sorry Ah Sir.
Son of an exiled Chinese nationalist, Tseng Kwong Chi was a Hong Kong born photographer active in the New York Art Scene in the 1970s and 80s.
In ‘They’, Zhang showed secular Chongqing citizens at a moment of euphoric leisure. In ‘Coastline’, he travelled 18.000 kilometres along the Chinese coastline to photograph the surreal landscapes he encountered.
A surge of young contemporary photographers have been creating work centered around analogue photographic process and alternative photography.
I began an archival examination of some B/W master negatives, those taken during the student democratic movement at the Tiananmen Square in Spring 1989, and from which re-searching the youthful energies long lost at Chang-an Boulevard.
Ownership heightens the sense of exclusion and the psychological need to distinguish between ‘us’ and ‘others’. Villagers began devising inventive ways to denote their territories.
The 1997 Handover was a time when many Hong Kongers began to think about their national identity. Ten years after, many changes were felt. I’m not a pro-Beijing loyalist or a “one-time patriot”.