Where we pray is my on-going project to document prayer places in a red light district of Singapore. Photographs & Text: Aujin Rew
Gold Coast, by Ying Ang will have it’s South East Asia Launch at the IPA PHOTOBOOKS SHOW Travelling Edition 2014.
I am drawn to the arbitrary arrangement of all the functional shapes, structures, lines, and artifacts that add to the construction of the whole.
Next year I will be turning 40. So will 2 of my friends. The initial idea of this essay was to explore how we engage and confront our loneliness. Forty and Some Things, by Peter Teh was made during the IPA Mentorship Program.
I don’t know what to make of my investigation; this carpark, a Purgatory, a space that is neither heaven nor hell. The Carpark, by Shyue Woon was made during the IPA Mentorship Program.
For three years, between 2007 and 2009, I was a sometime woman called Shauna. I’d inhabited the persona of a ladyboy.
The Mekong River, flowing through China, Thailand, Burma, Laos, Cambodia and Vietnam, is home to the world’s largest inland fishery and hosts a treasure trove of biodiversity.
Continuing our feature on the Twentyfifteen.sg Project, ARTiculate by Tan Ngiap Heng is issue #08 of 20.
In a Private Moment is a personal visual journey through the many toilets I came across in my trips. Photographs & Text: Aujin Rew
Continuing our feature on the Twentyfifteen.sg Project, A Little Bit of Me from Everything Else by Matthew Teo is issue #07 of 20.
Continuing our feature on the Twentyfifteen.sg Project, Singapore 1925 – 2025 by Robert Zhao Renhui is issue #06 of 20.
Since our last coverage of the Twentyfifteen.sg Project, two more issues have been published. Made in Singapore, by Tay Kay Chin is issue #05 of 20.
“Rat Tribe” explores the lives of low-waged migrant workers who live underground in Beijing and make up one-third of the city’s estimated 20 million people.
To kick off the new year, Invisible Ph t grapher Asia will be presenting a Southeast Asia Showcase at the Xishuangbanna Foto Festival, China 2014.
Being Together first started as a part of a long continuation body of work that focus on my relationship with my family.