Taiwanese Master Photographer Chang Chao-Tang’s influence extends far beyond his own photography practice. Chang 張照堂 is credited with being a strong mentor and curator to many young Taiwanese photographers. He has also written and published an impressive array of essays and books on Taiwanese photography. In our interview with Chang, we asked him to introduce the works of Taiwanese photographers who represent the next generation. We present Chang Chao-Tang’s third introduction Hung Cheng-Ren and his ‘Melancholy Field’ series.
I began the Melancholy Field series in 2002. It is an ongoing project. The final implications of the subject matter are still in progress and have not yet been resolved.
Melancholy Field is about the forced modernization of the port of Hongmaogang (Red Hair Harbor), a 400-year-old traditional fishing village in the Xiaogang District, on the the southwestern coast of Taiwan. Even though there is community pressure for a moratorium on the new port, the official plan to relocate the village and its residents is moving forward.
I interacted with village residents for years, photographing them as they confided to me their sense of helplessness and despair at being uprooted and deprived of their traditional livelihood as fishermen. By photographing the people and their environment, and then making collages of wrinkled and distorted prints (which I photographed again so I could make prints of the collages), I felt I could more specifically express, and address, the inevitable destruction and displacement of the Hongmaogang community.
Photographs & Text: Hung Cheng-Ren
Biography: Hung Cheng-Ren
Born 1960, in Kaohsiung, Taiwan.
Cheng-Ren began photographing in 1988 while working as an engineer for the Chinese national oil company. After ten years of producing mostly documentary photography, he became dissatisfied with his images and began to experiment with more personal, expressive forms of photography. In 2002, he found his own visual language, a photographic collage style of work that allowed him to express his true feelings about life and society.
He has exhibited at the Kaohsiung International Container Arts Festival (2003), Kaohsiung Labor Recreation Center (2004), Kaohsiung Cultural Center (2005), Kaohsiung Museum of Fine Arts.
Absolutely great work! I am really grateful to get to know about this artist.
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You must be shitting me. This isn’t documentary, visual journalism, or a photo essay. This is some sort of cut out surrealistic political propaganda.
It may not be photo journalism per se, but, political propaganda in what sense?
If you understand the history of photography, this kind of cut-and-paste technique had been applied long time ago, such as the case of avant-garde photo-montage in the early 20th century. Why can’t this be a photo-essay for you? This is beyond me. Please learn.
And what’s your problem with “shitting”? Why don’t you grow up?