Katia Repina worked on I Don’t Need To Know You during the IPA Mentorship Program. This project explores the forest park of Cataluna city.
Ownership heightens the sense of exclusion and the psychological need to distinguish between ‘us’ and ‘others’. Villagers began devising inventive ways to denote their territories.
The world presented in Black Matter raise questions about how we interact with the changes and challenges of our time and how we respond to the forces that impact the things that matter to us.
Scars of Independence recounts the journey of Abkhazia as explored through the memory and identity of the Wolf, a self-exiled ex-soldier.
MASS RAPID TRANSIT is a significant facility that can be used to observe and contemplate modern life and the intersection of social relations.
Motherhood, a most epic adventure. Somewhere only I know, by Donna Chiu was made during the IPA Mentorship Program.
Shyue Woon, the photographer and invisible protagonist, assumes the role of a conflicted private eye in a dark homage to crime noir and pulp fiction.
UNDERPASS, by Teng Kiat was made during the IPA Mentorship Program. Welcome to the realm of the underpass.
This series probes into the nature of consumption – the advertising world seduces us with a heady mix of material desires.
The airport is a mass transit point for departures and arrivals. I found particular interest in the staging of objects in such a functional space.
Our nights always seem to be colored by things peculiar and bizarre, but this may be because we are still young.
“ Not until we are lost do we begin to understand ourselves.” – Henry David Thoreau
Walking through the streets of Milan in the summer, I hear thousands of familiar voices and conversations as if I am still in Manila.
“In every parting there is an image of death”- George Elliot. If life is a process towards death, it is also a process of erasure.
Our history is full of all kinds of violence. I have a part in it too, I understand. We used to be very close.