Photography and art are vocations that are different from a ‘regular’ job. Creativity cannot be spun out of financial duress.
I am left imagining if Punggol was the scene of some post-Anthropocene reterritorialization, where the animals are the ones who have rehabilitated the space the space we left behind.
We are excited to launch 18 titles with IPA MZ EDITIONS, a series of select photobooks by photographers and artists in Asia.
I don’t feel photography needs to be overtly ambitious in assuming impact or power. And in any case, impact and power are impossible to measure. Photography has a part to play in adding to a cumulative effect.
I wanted to learn if the anxieties and desires of Ukrainian artists were similar to those in Singapore and Asia, and what language they used in expressing them in their art and photography.
I recently got invited by Raw View Magazine to join their panel of consulting curators and will be contributing views from Asia.
In the following conversation with prolific Thai artist/curator Manit Sriwanichpoom, we talk candidly about photography and purpose, censorship and compromises, and being fearless in art-making.
Ideas manifest themselves in visions, images, stories, hallucinations, blueprints, maps, words… Ephemera is about acknowledging, gathering and intensifying that Presence. Momentarily, for 18000 seconds.
Invisible Photographer Asia is most honoured and excited to be partnering Photo Kathmandu for their second edition to be held between 21 October and 3 November, 2016.
On 9th September 2016, the 40th death anniversary of Mao Zedong, we sit down with Li Zhensheng 李振盛 to talk about the Cultural Revolution, life and photography.
The Archive as Conversation examines the nature of photographs as documentation of events, occasions, people and personal memories.
Suddenly The Grass Became Greener is a book of photographs made in Singapore during her 50th year as a nation, and the coincidental death of her gardener.
Following our successful Workshop Grant with the Singapore Heritage Society last year, we are partnering again to offer a second grant to participate in the IPA Mentorship Program.
Hong Kong photographer Paul Yeung, previously featured in our Hong Kong & Taiwan Curation for Angkor Photo Festival 2015, has just launched a crowd-funding campaign for his first photobook Yes Madam, Sorry Ah Sir.
Embrace the streets as a live dynamic studio in this intensive one-day Street Photography Workshop presented by Sony and Invisible Photographer Asia (IPA).