Hong Kong photographer Paul Yeung, previously featured in our Hong Kong & Taiwan Curation for Angkor Photo Festival 2015, has just launched a crowd-funding campaign for his first photobook Yes Madam, Sorry Ah Sir.
Vietnam – Fleeting Encounters, by Chu Viet Ha
In many ways, Winogrand’s words appropriately describe the images of Chu Viet Ha, Hanoi-based street photographer and architect.
Making the Taiwan Photobook with Chang Chao-Tang
Master photographer and curator Chang Chao-Tang 張照堂 shares his process in editing and making photobooks in Taiwan.
Anshika Varma: Urur Olcott Kuppam
Urur Olcott Kuppam is one of the oldest fishing villages in Chennai. Generations of fisher folk have lived along this seashore, their lives and patterns intricately woven in with that of the sea.
A Distant Land, by Ricardo Nagaoka
These images are part of a continuing documentation of the Japanese diaspora in Paraguay as they undergo a generational transition.
LIANA YANG, What My Pussy Loves
A personal documentation examining the realities and tensions of love & commitment through the human fascination with cats.
Photobook: 50 Essays from 50 Photographers in Singapore
Platform launches their +50 Photobook publication, featuring 2 books with 50 Essays from 50 Photographers in Singapore.
The War Legacy, by Rahul Shah
There are more than 60,000 landmine and unexploded ordnance casualties from 1979 to the end of 2013 in Cambodia and One-third of the casualties are children.
Book: Left to Right – Querying Singapore’s Manic Image Factory
A new publication ‘Left to Right (L-R)’ brings together 53 entries by artists, curators and writers based in Singapore and beyond.
Times and Tides in the World of Photography – Interview with Prashant Panjiar
A candid and frank interview with Prashant Panjiar, Delhi Photo Festival co-founder and World Press Photo 2016 Judge.
Part 2: Interview with Prashant Panjiar
Part 2 of our frank interview with Prashant Panjiar, Delhi Photo Festival co-founder and World Press Photo 2016 Judge.
Wang Juyan: Xian Guan
Xian Guan is one of five Sanskrit-language Mahāyāna Buddhist scriptures. Xian Guan also means in contemporary Chinese “now, observe”.
Joshua Irwandi: Not A Blank Canvas – Photographing The Asmat
I chose to photograph the Asmat with the intention to raise awareness of their condition and plight, and to reinvestigate the consequences of ‘progress’ and ‘development’.
Body: Canvas of Time, by Angel Cheong Su Hui
Body: Canvas of Time is a meditation and exploration of the self marked by the ephemerality of others. Nothing is ever permanent but our bodies become a canvas of intersections and remains over time.
Singapore Photography for Odesa/Batumi Photo Days, Ukraine
The Singapore showcase, including photojournalistic work to the artistic and personal, explore the theme – ideology and contention – in and beyond our little city-state.