Water dripping, plastic bag rustling, Karaoke songs mixed with Buddhism chant, a slight sigh echoing at the corner.

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Truth is a brilliant invention, much like Photography. And Flux Realities: A Showcase of Chinese Contemporary Photography attempts a dialogue.

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Implicit and explicit rules seem to be suspended. A mixed group of artists, cross-dressers, transgenders and dropouts have created a space which is free of judgement.

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In the seventh month of the lunisolar calendar, Singapore – considered by some as the most haunted city in Asia – celebrates Ghost Month (鬼月).

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Sleep Driver, by Sayed Asif Mahmud is part of our Showcase on Bangladesh Photography curated by Munem Wasif, Chobimela International Festival of Photography.

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There are signs everywhere among us. Some tell a particular message, some suggest and some warn.

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Next year I will be turning 40. So will 2 of my friends. The initial idea of this essay was to explore how we engage and confront our loneliness. Forty and Some Things, by Peter Teh was made during the IPA Mentorship Program.

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It appears that all who flock there are much like me, moths hypnotised by the promise of hope. Turf Dreams by Jeffrey Liam was made during the IPA Mentorship Program.

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I don’t know what to make of my investigation; this carpark, a Purgatory, a space that is neither heaven nor hell. The Carpark, by Shyue Woon was made during the IPA Mentorship Program.

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“Kalinga’s batok tradition is far from disappearing in Whang-od’s hands. It is, instead, taking new form.” Hands Of Kalinga, by Nikka Corsino was made during the IPA Mentorship Program.

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