Weekly Photo Editing for photographers and artists in Asia during the Covid crisis. Week #08A : Aneek Mustafa Anwar, Bangladesh.
2018 Award Finalist: The Power Box, by Ashfika Rahman
The Power Box, by Ashfika Rahman [Bangladesh] is an Art Award Finalist in the Invisible Photographer Asia Awards 2018.
2018 Award Finalist: Homayra Adiba, Young Portfolio
Homayra Adiba [Bangladesh] is a Young Portfolio Award Finalist in the Invisible Photographer Asia Awards 2018.
2018 Award Finalist: Turjoy Chowdhury, Young Portfolio
Turjoy Chowdhury [Bangladesh] is a Young Portfolio Award Finalist in the Invisible Photographer Asia Awards 2018.
2018 Award Finalist: Shahria Sharmin, Call Me Heena
Call Me Heena, by Shahria Sharmin [Bangladesh] is a Documentary Award Finalist in the Invisible Photographer Asia Awards 2018.
Neverland, by Farhad Rahman
Superheroes do not only live in tvs and computers, they now belong to the world of “Himu” – a young boy who loves to consider a virtual world with fictional characters as his own surroundings.
Coming of Age Yet Always Fresh – Chobi Mela IX
Bangladesh’s capital Dhaka is one of the most densely populated cities in the world and home to the first and largest International Photographic Festival in South Asia, Chobi Mela.
I Want To Live – The Rohingyas, by Suthep Kritsanavarin
Thai Photojournalist Suthep Kritsanavarin has worked on an investigative report on the Rohingyas since 2008, chronicling their horrifying journeys from Burma and Bangladesh to Thailand, Malaysia, Indonesia and even to Australia.
Song of A Coast, by Farhad Rahman
The sea changes by time. Land lost with reaming past. New story created with a new settlement. Time changes people’s lives beside the sea.
Sarker Protick on Approach and Engagement
Highlights from Bangladeshi photographer Sarker Protick’s talk ‘Approach and Engagement’ presented by The Straits Times and World Press Photo on 30th January 2016 at the National Museum of Singapore.
Where Blue Birds Fly, by Homayra Adiba
An empty corner under the sky, all the houses of the city have it. Some nourish it and some abandon it.
Super Sonic, by A J Ghani
Hip Hop is still a relatively modern concept in Kunming and the rest of China. Photographs & Text: A J Ghani, Bangladesh.
One Last Playground, by Farhad Rahman
This is a story of a fantasy world of a group of children near the suburb of Dhaka, Bangladesh.
Jannatul Mawa: Invisible Boundaries and Class Dynamics
Mawa created ‘Close Distance’, typological portraits of middle-class housewives and their domestic helpers, especially for her community and others in privileged positions in Dhaka’s educated middle-class.
StarDust, by Debashish Chakrabarty
Surface is a fiction, physicality another. Time begins to flow and incidents started to occur. A billion years ago they ate some light, dreamed of a pale blue dot.