Murmurings, by Ron Soh was made during the IPA Mentorship Program. Anxieties lurk in the background as we confront our lives and our mortality every day.
Home, by Sathish Kumar
Sathish Kumar (b.1986) is a photographer based in Chennai, India. Home is an on-going diary.
Photobook: TRAPPED／侷住, by Benny Lam
Photobook flip of Hong Kong photographer Benny Lam’s latest TRAPPED／侷住, shortlisted this year for Prix Pictet Awards.
Coming of Age Yet Always Fresh – Chobi Mela IX
Bangladesh’s capital Dhaka is one of the most densely populated cities in the world and home to the first and largest International Photographic Festival in South Asia, Chobi Mela.
Guligo Jia, Vision
Emerging Chinese photographer Guligo Jia explores the fantasies of people whose gender is fluid.
Cinema India, by Sheetal Mallar
In India, we make more movies each year than anyone else in the world. Approximately 1500 to 2000 movies are churned out annually across the many regional languages.
4 Southeast Asian Photographers awarded IPA Mentorship Grants
Announcement: 4 Grants awarded to young Southeast Asian photographers for the 14th Edition of the IPA Mentorship Program commencing in February 2017.
Greg Girard, Phantom Shanghai: Nocturnes of a City in Flux
Preserved by a kind of benign neglect in the decades following Mao’s victory in 1949, Shanghai was directed to “catch up” in the 1990s.
TOKHANG: Filipinos document the deadly drug war in the Philippines
Slideshow Video: Filipino photographers and a documentary videographer set out to document the deadly war on drugs in the Philippines. Warning: Graphic Content.
香港 Zine by Aik Beng Chia
香港 Zine is a magazine of photographs made, lost and found in Hong Kong during my visit.
Of Yearnings and Exiles: Tsering Topgyal, Tibetan Photojournalist
Tsering Topgyal’s long-term project features portraits of other young Tibetans like himself, living in exile, and separated from home and family.
Isidro Ramirez: Jakarta Modest Interventions and Minor Improvisations
Jakarta is one of the biggest and fastest growing cities in the world with over thirty million people living in its greater metropolitan area.
Kurt Tong: Sweet Water, Bitter Earth
Sweet Water, Bitter Earth is my journey into China in search of redemption and my ultimate failure to connect with my homeland.
Ronny Sen: What does the end of time look like?
What does the end of time look like? Calcutta-based Ronny Sen’s award-winning project on the apocalyptic world of Jharia’s coal mines in India.
EPHEMERA Highlight: Non existent, by Donna Chiu
Artist highlights from our #EPHEMERA Exhibition on 12th November 2016 at The Substation featuring photography, paintings, drawings, blueprints and performance.