Their love is one of distance mixed with desire, tenderness with tension, and passion compounded by the burden of parental pressure.
An interview with award-winning Singapore graphic designer Hanson Ho on designing photobooks.
During and after the long running civil war of 26 years between the Sri Lankan military and the LTTE comes the unquestionable disappearances of thousands of Sri Lankan Tamils.
The photographer’s studio is often the city; it is a flaneur’s place for introspection, yet simultaneously a workplace.
Singapore has progressed from third to first world within the last 40 years. What has been compromised in that process?
In light of the Singapore 2015 elections, this #chutpattern piece is an “ownself check ownself” dialogue and an existentialist reflection for the Singapore photography community.
Since 1949, the Singapore Gurkha Contingent has been established in the Lion City (Kota Singa) as they live quietly among us.
Getai, the ‘song-stage’ of Singapore and Malaysia. The structures originated as temporary Chinese opera stages common around the 7th month of the Lunar Calendar.
A series of nocturnes of Northeast Singapore, a frontier in the nation’s continuing dream towards a modern, civilised world. Made in residency with Exactly Foundation.
“An artist identity is vital in creating an impression.” An interview with rising Singapore artist Sarah Choo.
In As quietly as rhythms go, visual artist Geraldine Kang documents a familiar sight in Singapore: a construction project, this time along the Sungei Serangoon.
Plot is a documentary project about land spaces in Singapore. It is a photographic record of plots of open land that remain untouched in the republic.
This series probes into the nature of consumption – the advertising world seduces us with a heady mix of material desires.
On a little street called Kerbau Road in Little India, stands Sajeev Digital Photo Studio, a quaint little photo studio run by 49 year old photographer K. Sajeev Lal with his wife Sheeja Shaj.
The airport is a mass transit point for departures and arrivals. I found particular interest in the staging of objects in such a functional space.